Nakatsumiya: Where the Thief Learned His Trade

Place

Nakatsumiya, Enoshima Shrine (江島神社 中津宮)

Visiting information ↓

A dark blue stone stand with a green bronze plaque bearing four handprints around a fan crest, the title “江の島歌舞伎” above and an actor's name in Japanese under each pair
Two actors' handprints outside Nakatsumiya, with a fan between them.

In one of kabuki's best-known scenes, a young woman of good family appears to be caught shoplifting in a kimono shop. When the trick is exposed, the young woman drops the act. He introduces himself.

He is Benten Kozō, a thief, and his past, he announces, was on Enoshima. Loosely translated:

My misdeeds climbed like the road to the Upper Shrine.
At Iwamoto-in, I robbed the pilgrims in their sleep so often
that in the end I was driven off the island.

The Upper Shrine is this one.

The upper shrine

Today it is called Nakatsumiya, the Middle Shrine: the second of Enoshima Shrine's three shrines on the way up the island, and home to the middle of three goddess sisters. In the thief's day, it was the Upper Shrine.

The front of a vermilion shrine with a green copper roof, gold and painted carvings under the eaves, white paper streamers and a low red fence, trees behind and a signboard to the right
Nakatsumiya, against the afternoon light.

The shrine dates its founding to 853. The present building, all vermilion and gold, recreates the one put up in 1689. Dragons ride the waves under the eaves, and lions hold up the beams.

Painted carvings of green dragons among blue and white waves under red rafters, above a thick sacred straw rope
Dragons in the waves, under the eaves.
A carved lion supporting a beam beneath red rafters, beside a carved pale creature with a long curled trunk projecting from a red pillar
A lion holding up a beam, and something with a trunk beside him.
Inside a red shrine hall behind a low red fence and lattice doors: two seated figures in red robes on either side, lanterns and a round mirror at the back
Inside the worship hall, two guardians in red keep watch.

The sign at the shrine says that the stone lanterns in its grounds speak of the faith of Edo's merchants, performers and ordinary people. Benzaiten is a goddess of the performing arts, and Edo's actors came here to pray. Among the lanterns are two given by Edo kabuki theatres, the Nakamura-za and the Ichimura-za.

The Ichimura-za gave its lantern in 1777. In 1862, it was the theatre where Benten Kozō first took the stage.

The theatre that staged the thief had already paid for a lantern at his shrine.

The thief

The play was written by Kawatake Mokuami. The young actor who created the role, later known as Onoe Kikugorō V, made his name with it, and it has stayed in the Kikugorō family ever since. The year after it opened, he came to Enoshima to pray.

It does not hurt that the thief is named after the goddess. Benten is short for Benzaiten.

A beautiful love

The wishes made here now run in a different direction.

A sign beside the shrine introduces its own pink mark, modelled on the goddess's heavenly robe, with a line in large letters: I want a beautiful love. Round wooden plaques printed “Prayer for beauty” hang inside a heart-shaped stand marked with a single character, 美, beauty.

One of them asks to still be confident, healthy and beautiful when she is a grandmother.

Round wooden prayer plaques with pink cords hanging inside a large red heart-shaped frame marked with the character 美
Prayers for beauty, inside a heart.

The water harp

In a small garden beside the shrine is a suikinkutsu, a water harp. Scoop water from the basin and pour it into a hole among the pebbles, and it drips into a jar buried underground. The sign says the echo sounds like a koto, a Japanese harp, and that is where the name comes from.

A dragon watches from the leaves. I poured some in and listened. It is a calming sound.

A dark metal dragon with long horns and whiskers, half hidden among long green leaves
A rough stone basin of water with a white ladle resting across it, surrounded by green plants and a dragon figure behind
A round metal opening set among wet pebbles and small leaves, with dark water inside
A dragon, a basin and a hole in the ground: everything a water harp needs.

The handprints

In front of the shrine is the plaque in the photo at the top. In 1999, the island staged the play itself, with Onoe Kikunosuke V as Benten Kozō and his father, Onoe Kikugorō VII, in the cast. The hands are theirs: the son's on the left, the father's on the right, each with his name beneath.

In 2025, the son took his father's name and became Kikugorō VIII. The father kept it too, and is still on stage. For the first time, kabuki has two Kikugorōs at once.

The thief gave his name to prove who he was.

The name under the son's hands now belongs to his own son.

Leave a comment ↓

Visit this place

Location

Nakatsumiya, Enoshima Shrine (江島神社 中津宮)

Halfway up Enoshima, above Hetsumiya and below Okutsumiya, reached by stairs or the Enoshima Escar outdoor escalators.

2-3-21 Enoshima, Fujisawa, Kanagawa 251-0036, Japan

Practical information

Access
About 20–25 minutes on foot from Katase-Enoshima Station (Odakyu Enoshima Line), across the bridge and up the island by stairs. The paid Enoshima Escar outdoor escalators also run up the hill.
Admission
Free
Visitor note
The handprints are in front of the shrine. The water harp (suikinkutsu) is in a small garden beside it: scoop water from the basin with the ladle and pour it into the hole among the pebbles, then listen.
Official website
Enoshima Shrine — grounds guide (Japanese)

Information last checked: October 27, 2026 (location, access and admission).

View all places

Conversation

Comments are reviewed before appearing. The internet already contains enough unattended surprises.

Checking comments…